companies underestimate how much locking their content behind needing an account will just make me go do something else. oh your website wants me to make an account to view this content? oh your website doesn’t show media to logged-out users? okay. i didn’t actually want to see it that bad. yeah. bye ✌️
(via johnzombi)
But one is a stranger, a woman she notices while she sits on a bench, gathering herself. It’s a type of woman she has never seen before, because there are no old women in Barbieland. When Barbie looks at her, she finds her beautiful and tells her so. The woman already knows. Suddenly Barbie, the fraught aspirational figure, has beheld someone she might aspire to be, and it is a radiantly content nonagenarian, reading a newspaper on a Los Angeles bench, who knows what she’s worth.
“The idea of a loving God who’s a mother, a grandmother — who looks at you and says, ‘Honey, you’re doing OK’ — is something I feel like I need and I wanted to give to other people,” Gerwig says. When it was suggested that this scene, which Gerwig calls a “transaction of grace,” might be cut for time, she remembers thinking: “If I cut that scene, I don’t know why I’m making this movie. If I don’t have that scene, I don’t know what it is or what I’ve done.”
(via rraaaarrl)
whenever i’m alone with you, you make me feel like i am free again
Doug Bradley at the Hollywood premiere of ‘Hellraiser III: Hell On Earth,’ at the Galaxy Theater in Los Angeles, California, 1992.
Photos by Vinnie Zuffante
(via johnzombi)










